sus
Moderator
you know I don't mean that
I mean the way the camera is a living thing. Most director's cameras are dead. They get set up, they shoot, then the director splices the shots. Every once and a while they do a very expensive tracking shot to get oohs and ahs.
Malick's eye is spontaneous, restless, living, moving.
I mean the way the camera is a living thing. Most director's cameras are dead. They get set up, they shoot, then the director splices the shots. Every once and a while they do a very expensive tracking shot to get oohs and ahs.
Malick's eye is spontaneous, restless, living, moving.