I'd class myself as a fan of breakbeat/breaks/nu-skool breaks/whatever, especially once it moved properly onto the dancefloor in about 2000. I like the way it takes good bits from house, drum and bass, and garage and makes this supremely danceable whole. As party music it takes some beating - IMO especially when mixed up with house (James Zabiela is a bit good at that).
And most of it isn't that monotonous - there's a fair bit of complexity in the drum programming. In fact, T-Power (of Shy FX & "Shake Ur Body" fame) supposedly starting making breaks when he got got bored of the limited possibilties of 180bpm compared to 140. It's not even comparable to true monotony like hard house or happy hardcore. And the latter at least has got some love on dissensus!
Saying that, I've kind of stopped buying it in the past couple of years, because the proportion of wheat in the chaff is pretty low. Some subgenres are really poor (e.g. "progressive" breaks), and even my favourite producers (like the Plump DJs, Lee Coombs, Meat Katie, the Stanton Warriors) and labels (Finger Lickin', Functional, Botchit & Scarper) are inconsistent in the quality of their releases. But I still pick up most of what the Plumps release and I still love throwing some shapes to it.