Pattern recognition was overtly influenced by Pynchon and that trilogy is pretty good. As Danny says his later work is more elegant and almost entirely shorn of the cringe factor that infected the edges of his earlier, visionary work. His themes over the last 20 years or so have involved teasing out the nuances within the confluence of technology, capitalism and power. At times he has a tendency to over-egg things a bit or veer into techno thriller territory, but his work does have this oblique, disassociated tone, dry observational humour and irresistible momentum.
The peripheral was good, currently just finished the new one and its ridiculously assured, no grand revelations, but still the work of a master.
The peripheral was good, currently just finished the new one and its ridiculously assured, no grand revelations, but still the work of a master.