well yeah, russolo as an actual person/thinker was a fascist, not someone to imitate of uphold at all. an important clarification i guess.no no no. you've got it all wrong. Russolo wasn't saying that as an abstract artistic statement, but because he thought war machines were the future of capitalism and not clerical accounting, joint stock companies and state direction of private enterprise. he was already outdated at the time, and basically proto-fascist. something like bitcoin would be abhorrent to him.
for instance, Indian and Arabic music has no harmonic counterpoint. that would be a useful way of approaching this. defeat him in the realm of history.
the question becomes interrogating his conception of dissonance. one could never convince Scruton that music is organised noise, because for him music is a product of civilisation, and not a product of barbaric tribe societies. the pipe and drum is not a valid standard to judge bach against for hin, because they operate on totally different terrains.
I don't think any sophisticated person would sign up to the idea the way I presented it. That's a very boiled down reduced version of something I think is behind a Certain current of aesthetic thought.
"letting people know that contrary to the stupid old rules, it's safe to go outside"
is this line drastically different from what you're saying in the quote, in your view third? assuming that said people have been raised as scrutonites.
for those people music reflects the value set of the white nobleman. not any old white person, and certainly not white capitalists, but lords, ladies, courtiers etc.
Well my line is that yes, from the Scrutonite perspective it's not safe to go outside. I can agree with him if we take his conception of music. but that's precisely why it should be done. the point is our perspective on music is different, not merely a battle between tonality and dissonance.
What's your opinion on this Corpsey?