Probably some shit gabba song that third thinks is a work of genius
Genius is not the point of gabber anyway. It's even more senius than jungle, so when it does try and break away from that, it goes into proper highbrow musique concrete realms (la peste and crew.)
There's a reason why post-reinforced Goldie has been middlebrow, and that's because jungle was never as senius as people cracked it up to be, so there was no real uniformity to rebel against.
Put it another way: compositionally speaking, 93 was more technically advanced than 94, even if the 94-95 productions were far more technically advanced, more spatious, more accomplished, more 4 dimensional. 93 productions sound crammed and rickety, but that's because they were senius. Same with 92-93 maximal hard acid techno, it was about making a lot with limited resources. When people got better equipment they had to as a necessity go more minimal, pay more attention to spatial dynamics. That wasn't initially a negative development, though the conservatism of dance music inevitably ended up making it the default.
Another way to think about this is the basslines. Most basslines in jungle are very simple, sine wave tones and reese/reversed basses. But when the basslines became layered and pretcil-like, with a greater emphasis on harmonics, that's when the 2step beat became a necessity. You can't have those techy basslines over mashed up amens or apaches, it will just sound like a mess, but not in a good way. Why is this? Because those basslines fill the rhythmic information which was previously occupied by the dynamic flutters in sampled breaks.