Knowing things is where the trouble startsi dont know the name of a single jungle tune. dont know the name of any artist or tune. dont care.
Mixing and composing are closely related, elements stacked on top of each other
A lot of great rap producers used to be DJs not coincidentally, not sure if that's still remotely the case though
fuck youi like how Limburger dont even understand what the fuck is going on. he's from small town Texas he's never heard of a 'mix'
usually people want to take credit for other people's ideas. you seem to be doing the opposite and attributing your own original thought to me.I think I get it, its true I have no mixes to call off hand, but youre talking ttwo things, one when the samples in a jungle song are live triggered and it feels like a car struggling to start in a very high tense scenario
to the contrary, i think it's a great observation! makes me think of 0:38-1:00 in this, for example:that sounds like a very round about way to say no I dont get what youre saying at all
sounds intriguing.
i don't think it's that anal retentive. it's not about counting every scratch or crossfade just pointing out moments where you go "hey it's that famous tune but it sounds different!"
s gachet drops both versions of "lord of the null lines" at once, the mc yells "easy, gachet!" (doesn't go on for as long as i thought it did, sadly):
love the hyper-crossfaded "energy flash" in this one blissblogger uploaded:
ratty had probably the most satisfying "violent crossfade" timing of anyone imo, alongside maybe hypeand the hyper crossfading here thats just a bit late every time also has a very physical feeling. the lurching feeling, its almost the genres own version of The Heavy. You get it alot whenever a DJ tries to add any sound to the mix in time via quick drum pad like hits/movements