Crisp you could apply loosely to any form of clarity, top end trebles specifically and crunchy ultra hi-digi definition (although forms of clarity is already covered)
Clean implies un-muddied linear lines - tonally or harmonically - appealing to both texture and contour
Clinical infers precision and accuracy, maybe even cold detachment from emotion
All the above could be wrong but here goes before a nightmare team meeting so no YT’s:
Crisp - Adrian Sherwood productions, all of his peaking super-crispy trebles to fullness of low-end, not at home but sure Discogs has them all
Clean - I have to justify dropping Betty Cantor-Jackson in due to her ability to record live concerts as well as, if not more adroitly, than anyone ever has and you rarely hear her name positioned in sound engineering lore. It’s a broad term, clean, so sticking to a non-Diss-ensian craftswoman
Clinical - first thought SND too for abstraction of meaning while maintaining clinical elements, it’s not always a personal go to but my god when Fell nails it he brings all such terms clearly into aural view. Criticism is it can often sound too clinical, almost inanely so like geometry meets geospatial exercise in numbers programming. All the Afx rip offs. Tons of musique concrète. Dockstader for tones which meet all of the above criteria. Xenakis too if the sum totality of his onslaughts is considered appropriate
One of the singular complaints about so much contemporary dross is the propensity to drape everything is shimmery reverb and maximalist ‘yes this is amazing’ whateverdom when aspects of the o.p are both present enough and absent enough to hide the lack of meaningful heft