sus

Moderator
Derek Attridge's Rhythms of English Poetry is very good. I skipped the first part. The second and third parts are worthy.
 

sus

Moderator
I don’t think I even knew this thread existed and now I feel bad for not acknowledging it.
Not too late jenks you can come here and school a young whippersnapper. I've been thinking about rhythm a lot, meter, where it comes from, how natural it is, how much it varies across languages.
 

Clinamenic

Binary & Tweed
I imagine an unsuspecting, bumbling tourist receiving that gem and it spiraling them into a state of sublime dissociation.
 
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jenks

thread death
Not too late jenks you can come here and school a young whippersnapper. I've been thinking about rhythm a lot, meter, where it comes from, how natural it is, how much it varies across languages.
I think a lot about rhythm and structure when I teach poetry - mainly because so often students just want to talk about the 'meaning' rather than the manner in which it is written - the shaped and structured nature of a text.
In terms of how 'natural' it is - well, my guess is that it was essential when poetry first started - the necessity of rhythm as a memory device for the bards to be able to learn long poems/sagas.
In terms of now - in English verse reading there has definitely a move to a more 'natural' reading voice for poetry and most evident in the way Shakespeare's verse is read aloud - if you listen to old poets and actors there was definitely a more declamatory voice - something that sounds jarring to a modern ear. The idea that iambic patterns are more in keeping with conversational English has become a truism but reading the blank verse of Wordsworth against the same form by Frost feels very different rhythmically. Obviously the French tradition is different - based on syllables - @woops can correct me if i am wrong on this and i think this is partly based on the different stress patterning of individual languages.
 
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sus

Moderator
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sus

Moderator
He has a text that talks about his method over at Jacket https://jacket2.org/article/hejinian-assemblage

I wrote The Totality Cantos from the desire to be interested in everything, open to the totality of discourses. I suppressed proper nouns for their centralizing effects and verbs for their striating of subjects and objects that reduced connections among words producing what I call “smooth syntax” increasing connections among words extending sense in all direction
 

sus

Moderator
Do you think these people are on drugs? When people have these wild ideas about how language works I think, maybe they're on drugs. But this Brian Ang character doesn't seem very druggy. Maybe he's just a very special person.
 

luka

Well-known member
You can see how this stuff operates and have a pretty good guess at the attitudes and assumptions that underpin it

All future apparent positivist interfaith nirvana protest promises

transition childe eye gender choirmaster fraud

Notated devotion writing context castes
Handsome fleshy clever commune speech supplement backstabbing weakness minorities
 
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luka

Well-known member
I dont think its bad, fwiw, its mild mannered tho not like, tongues of fire
So it doesnt have the urgency you might want
 
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sus

Moderator
Everything you said makes sense, but Lynn Hejinian called it an "indefatigable act of rebellion" so you must be wrong he must be really brave
 
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