Dunno but start with A Void I think
Fight!I wouldn’t start with A Void.
What sort of restrictions did they place on themselves, besides Perec writing a novel without using the letter 'e'? Were they all language-based?
Wasn't there a reviewer who didn't notice?The wiki on Life A User’s manual gives a pretty comprehensive list - starting with the idea of the knight’s movements round a chess board, a series of pairs, various literary works and a bunch of other constraints. What makes it so good is you don’t need to know any of that for it to work, whereas with La Disparition ( A Void) you do need that info for you to appreciate what he’s up to.
I've got a Harry Mathews thing - My Life in CIA -
I really enjoyed all the Harry Matthews stuff such as Tlooth, The Conversions, The Sunking of the thingy... I think you would enjoy @vershy versh, loads of conspiracies and secret societies etc, reminds me of Pynchon in a sense, I'm sure I've discussed elsewhere
At the outset of his first novel, The Conversions, the narrator is invited to an evening's social gathering at the home of a wealthy and powerful eccentric named Grent Wayl. During the course of the evening he is invited to take part in an elaborately staged party game, involving, among other things, a race between several small worms. The race having apparently been rigged by Wayl, the narrator is declared the victor and takes home his prize, an adze with curious designs, apparently of a ritual nature, engraved on it. Not long after the party, Wayl dies, and the bulk of his vast estate is left to whoever possesses the adze, providing that he or she can answer three riddling questions relating to its nature. The balance of the book is concerned with the narrator's attempts to answer the three questions, attempts that lead him through a series of digressions and stories-within-a-story, many of them quite diverting in themselves. The book has some superficial affinities with Pynchon's The Crying of Lot 49, the reader, like the narrator, is never sure to what extent he has fallen victim to a hoax. Much of the material dealing with the ritual adze, and the underground cult that it is related to, borrows from Robert Graves's The White Goddess. Mathews's novel concludes with two appendices, one being in German.
The Sinking of the Odradek Stadium, like The Conversions, is the story of a hunt for treasure, this time told through a series of letters between a Southeast Asian woman named Twang and her American husband, Zachary McCaltex. The couple are researching the fate of a vanished cargo of gold that once belonged to the Medici family. As in the earlier novels, there are various odd occurrences and ambiguous conspiracies; many of the book's set-pieces revolve around a secret society (The Knights of the Spindle), which Zachary is invited to join