Benny Bunter
Well-known member
I downloaded a few Gysin things earlier - The Process, The Last Museum and the one he did with Burroughs called The Third Mind.
I downloaded a few Gysin things earlier - The Process, The Last Museum and the one he did with Burroughs called The Third Mind.
Someone put me onto a Frenchman called Jacques Dupin today. Just reading through a selection Paul Auster put together. Not bowled over by it, but there's been the odd line or two. A lot of talk of fire and lightning and shattering and stone, which I tend to like.
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"Outside, charnel-houses fill the beds of rivers lost beneath the
earth. The rock, stripped of its foliage, is sister of the cleaving
sky. Event precedes prediction, bird attacks bird. Inside, under
the earth, my hands are grinding colors that have hardly begun."
"When walking becomes impossible, it is the foot that shatters,
not the path."
"l inscribe the duplication of the imprint through time — imprint
of the twin narrative thwarted . . . in my haste I confuse the flight
of the sparrowhawk with the mechanics of a catapult —"
"Lit up by the fever, a whole crumbled future runs through his
fingers, covers him, sinks him in the sand —"
INTERVIEWER: Have you been able to think for any length of time in images, with the inner voice silent?There've been a few moments reading this bloke where I've thought of Burroughs, actually. Not necessarily in the sense of them sounding alike, just in terms of certain themes, certain images.
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Not meaning to YT up the gaff while YTing up the gaff, Mr Ugly Spirit presenced as the bomb as opposed to definitive statements on Islamic scholarship, ritual continuity or eastern philosophy
Narration on The Process, brotherhoods, Hasan-i Sabbah, lore/law, Genet’s pederasty and BG witters on after but the meat of the idea is fleshed out fully
I'm up to the black fruit section now. Probably the most psychedelic thing I've ever read, constantly flowing and morphing through alien landcapes, tropical jungle, seedy hotels and vacant lots, and combat scenes. I think you can really tell it was the last of the trilogy to be written cos it's like the essence of the other two books merged.Everything seems to glow in this book, moreso than I remember in the others. He's always talking about things being phosphorescent, but here, in the 'winds of time' section, it feels like watching an undersea sequence of luminous fish. Everything's translucent, lots of blues. 'Glowie' nowadays of course being online slang for a government agent... Everything's so fluid too. Sliding around in time and space.
All I could think of reading 'do you love me?' was that Terry Riley tune, 'You're Nogood', where he mangles a soul thing across tape-loops.
I'm up to the black fruit section now. Probably the most psychedelic thing I've ever read, constantly flowing and morphing through alien landcapes, tropical jungle, seedy hotels and vacant lots, and combat scenes. I think you can really tell it was the last of the trilogy to be written cos it's like the essence of the other two books merged.
I thought you read the introduction where Ollie reckons it was the SECOND of the trilogy to be written, it was just publishing problems that lead to it being published last?
I think it was the second one to be published, but Nova express was pretty much finished before he even started on Ticket.
Plus it was heavily revised with loads of extra material added in 1967, whereas there's only one version of NE that came out in 1964.