there's no way he didn't have a good laugh writing americana as well, quit his job and wrote this first novel, just adventures all over america,DeLillo's said Ratner's Star's one of his favourites and was the most fun to write.
they are now mate and i feel subhuman, i feel like a clockwork toy its fucked. my eyes feel wrong.ever since i quit work i have never been in that situation becasue my vital spirits are not being drained by Satan
there's no way he didn't have a good laugh writing americana as well, quit his job and wrote this first novel, just adventures all over america,
"The way I always think of DeLillo's work--and he has described almost exactly like this at some point--is that he is a modernist writing about postmodernism, and I think a big part of that is that he clearly is a theory nut who then filters that stuff through a more mystic/Jesuit/modernist lens."
is there a post modernist fiction writer that hasn't either claimed or been described as that exact sentiment? its like a prerequisite for the title.
Sometimes a pain feels familiar even as it hits you for the first time. Certain conditions seem to speak out of some collective history of pain. You know the experience from others who have had it. Bill felt joined to the past to some bloodline of intimate and renewable pain.
If I were a filmmaker I really don't think I would address it cos I didn't enjoy that time much. Hopefully the directors we actually do have are not so shallow as me though. When you think about it, it often takes a little while for good films to emerge about any particular event - I think there is a necessary space of time that must pass for digestion and reflection etcis good to see the pandemic start to be addressed in film though. the collective ignoring of all of that, collective forgetting, is really striking to me.