owen said:
these are very very interesting questions...
i) can you expand on this a bit? cos this is for me a class question. eg, the barbican
is socially considered a 'success', and is not coincidentally inhabited mainly by the very wealthy. the very similar (styllistically speaking) thamesmead development
is considered a failure, and is inhabited by the very poor. the alienation 'caused' by these structures depends i think on the alienation the inhabitants already feel. but the 'social dynamics' are horribly complicated.
Horribly complicated is the thing, and personally, I'm not entirely sure what the questions are let alone the answers. Certainly, a lot of modernist social housing was planned based on a certain assumption of how people would behave in a given environment which turned out to be optimistic. As you say, there's a fairly obvious class issue, compounded by (but not reducible to) the fact that rich people are more likely to be willing and able to pay for security, cleaners, effective lighting, lift repairs and so on.
Your point about alienation is spot on, but I've heard repeatedly (no authoritative research to hand, though) that there was a greater feeling of community in the old slummy terraces than in tower blocks and similar housing schemes - possibly this is just because the very act of moving people into tower blocks broke up the existing community, possibly there are other reasons. In any case, this is the sort of thing that I was wondering whether anyone has addressed.
Another point that I was rather conflating with this is that, from my limited understanding, the functionalist conception of what the function of a house was ignored people's territorial instinct to 'make their home their own' by - often - filling it with crap, or putting in random furniture, or otherwise messing with the pure minimalist aesthetic. I might be way off here, but that would at least suggest why modernism / minimalism / functionalism / brutalism have been so much more influential in designing public and corporate spaces, where individual territory is less of an issue...
ii) again some 60s types- the smithsons again f'rinstance- already made this criticism. but yeah it is an unanswerable one. something like the National Theatre
i love dearly but have to admit a certain crapness when it gets damp...truth to materials perhaps not always a good thing...
Well, I've seen some very nice modernist (afaict) stuff that mixes brick and wood and glass in with the concrete - I'm not sure how strictly that adheres to truth to materials, though.
Yeah, exactly. But pragmatically, are there features that can be incorporated into the design that minimize the effect of chronic underfunding? Although I guess your point
one can't really conceive social housing without a concommitant idea of the social. and there, i would say, is the rub...
is pretty much it.