Or maybe not so much cheeky, but trailing off when he can't quite remember something he wants to quote (obviously not having access to his books in the prison camp)
Yes, and it's interesting how the same device in two different poets can register in quite different ways, just the tone of voice, the attitude towards the reader and the world
Related, I was actually getting really annoyed reading something from the New American poetry anthology, can't remember what, where they used 'etc'. I know it's supposed to be like casual, deliberately vague, but it just seems like a cop out.
Cities of the Red Night. Strange reading Burroughs writing like this after being so familiar with Naked Lunch and the cut ups. Reads a bit like Ballard's Crystal World atm and doesn't feel as fresh and exciting as something like Nova Express.
After rr-reading Morretti’s Atlas of the European Novel, I have started Old Goriot. Already hooked, not quite Lost Illusions brilliant but certainly feel like I’m in the hands of a master. @craner weren’t you going to do something on him?
Also got the Tin Drum on the go, somehow I’ve managed to miss out on this up til now.
And The Promise - don’t usually bother with Booker winners but it’s very good - like a South African Faulkner. Reckon a few on here would like it.
During his lifetime, Balzac’s debts were as famous as his novels and more widely discussed than his love affairs. Money was the great unifying subject of La Comédie humaine and the legal and moral …
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