petergunn said:i forwarded him this thread...
Dusk and I caned the hell out of 'Touch' on Groovetech (RIP) back in the day. It has not been forgotten by dubstep... it's a stone cold classic!
petergunn said:i forwarded him this thread...
SIZZLE said:re: streets, sov, VP, etc. I'd also like to point out that I'm not actually trying to diss these artists. In fact as a young educated white guy I think some could level the same criticisms at my own music, and I don't think the artists are necessarily doing it cynically.
bassnation said:jump up used the reverse bass sound, not the wobbler. that midrangey distorted bass is pure techstep, although dubstep has managed to pull back from the excesses of dnb in that regard.
Blackdown said:. Would the US majors really have let Roll Deep's 'Shake a Leg' or Kano's 'Brown Eyes' not be massive chart hits?
Blackdown said:i disagree. all that Aphrodite/Micky Finn stuff circa 97-98 was built on filtered wobbling basslines which is what Skream's Ancient Memories remix reminds me of.
bassnation said:jump up came a lot earlier than 97 - things like super sharp shooter et al, which most defintely did not use wobbler basslines.
matt b said:true, true, but aphrodite DID use wobbler basslines A LOT in 1997 or so
bassnation said:that subbass drone (the carpet of bass you describe) has been about for a long long time. it even predates jungle. i've got miami bass and electro records which have ludicrous speaker busting subbass lines on them, as heavy as any jungle or dubstep. its fantastic, never get tired of it.
borderpolice said:really? never came across that. maybe it to do with the puny system i used to have as kid
when i listened to lots of miami bass. which songs in particular are you thinking about?
Blackdown said:it's so tragic because if you go on the RWD forum or meet up and coming MCs you realise there's wave after wave of hungry UK talent out there - and 99% of them will not succeed. The industry will not let them through and they dont have a good enough support to build their own infrastructure. any wonder grime MCs spend much of their time infighting?
bassnation said:i'll see if i can dig out some mp3s tonight and upload to my space if you fancy hearing some. might be a real treat if you've got a bass-heavy system to listen to them on.
Blackdown said:Dusk and I caned the hell out of 'Touch' on Groovetech (RIP) back in the day. It has not been forgotten by dubstep... it's a stone cold classic!
borderpolice said:really? never came across that. maybe it to do with the puny system i used to have as kid
when i listened to lots of miami bass. which songs in particular are you thinking about?
luka said:oh fuck! i meant this to be snide and offensive! then i read this
Digidub: the occult roots of dubstep. New Murdertone mix
Wednesday April 26th 2006, 10:50 am
Filed under: General
Uncarved correspondent and reggae archivist Pete Murdertone has done a fabbo mix for Jahtari showcasing the eighties digidub sound which is such an important precursor of dubstep, and before that garage, and before that, acid house.
Dubquixote said:Same goes for 'Identity Crisis' on Vehicle. I played the shit out of that one. Big up to the DJ Abstract.
LOL! You'll have to try harder than that to be snide Luka!luka said:oh fuck! i meant this to be snide and offensive! then i read this
Digidub: the occult roots of dubstep. New Murdertone mix
Uncarved correspondent and reggae archivist Pete Murdertone has done a fabbo mix for Jahtari showcasing the eighties digidub sound which is such an important precursor of dubstep, and before that garage, and before that, acid house.