I think the interesting thing about post dubstep or UK bass (before it actually became UK bass) is that it's actually a scene that was invented by a group of 10-15 reasonably eclectic djs who were clearly bored shitless by dubstep and instead mined uk history for their sets.
Easily dismissed now because a lot of the subsequent production was largely shit but the core of the scene was really a load of parties and marginal dj sets grabbing bits of funky, bassline, garage and lost/found 12s that fit into the mythology. This was a novelty to the people who went to these clubs because London had been so boring for at least a year before, unless you were going the grown & sexy house raves that become funky. (I was not).
Much maligned now but the early raves were pretty good. Dem2 butting upto da posse 12s or whatever, it was a good novelty. I was really bored of going to stuff like fwd by then it had turned into bristol
It was only when stereotypical "white boys" actually started making music to fit into the structural idea that it all fell apart.
As for Joe Muggs what else is he meant to do. I feel for all these music journalists in a way because its a terrible career choice, are you meant to be 50 and still pretending to like this dickhead 19 year old playing pentatonic keys in order to get your 1000 words commissioned to put money on the British gas key.
Really it's a poor choice. At least he puts himself out there though I guess. Get a book published blag some money from the pr section of red bull because they want to invent credibility alongside your bmx champs et al