mixed_biscuits

_________________________
he was saying surrealism for lynch is just pulling stuff out your arse and its the easiest and cheapest option. it doesn't digsuise any great mystery, its just incoherent images, theres no depth there, no necessity. what 'themes' he does have are cheap and trite and have been done to death before. lynch encourages the sense that there is a mysteery there becasue hes a charlatan. thats the craner view of it.
So cheap and trite that they are unlike any other films in the history of cinema. In economics things become less cheap and less trite the more expensive they are, so I can tell Craner is no economist.

In fact, all his bellyaching is because he doesn't respond to the films on the gut level - it's this effect that makes him so beloved.
 

mixed_biscuits

_________________________
I remember that interview with him about outtakes and he was talking about a scene featuring a girl with her nipples on fire - and when asked why it hadn't made the cut he didn't say "oh it didn't fit in the context" or "it disrupted the story" or whatever, he said "that scene was just too good, I couldn't let anybody see it" or words to that effect. I wonder if that was true, I've certainly never heard any other director claim that they took a scene out for that reason.
You can't have people's minds go blank for the next half hour because nipples on fire is imprinted on their brain.
 

Benny Bunter

Well-known member
why should there be something behind it though? for me his movies works best by just enjoying each consecutive scene, i feel there's always something that stands out. honestly don't really care about some complicated plot or puzzle you have to solve.
Definitely. He may be a 'fraud' by some standards, but there are loads of individual scenes that are off the scale brilliant - the audition scene in Mulholland Drive is incredible, need to see that again.
 

mixed_biscuits

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What his films communicate is that reality is a lot stranger than we consciously acknowledge; parts of our subconscious know this and that's why his work hits so hard.

Zizek praises Lynch with reference to Lacan and the Real.

Lots of Lynch's weird ideas seem to have been culled from the woo-woo metaphysical stuff that's out there, so they are thereby corroborated.
 

0bleak

Well-known member
hrm, i would have never put the two together
then again, I haven't seen Nightmare since way back in the day
 

maxi

Well-known member
I realised all of lynch's films have big, classic, human condition-type themes once you unravel them

eraserhead - parenthood
the elephant man - beauty
blue velvet - innocence and experience
wild at heart - romantic love
twin peaks - sexual abuse
lost highway - jealousy (also guilt)
the straight story - familial love
mulholland drive - unrequited love
inland empire - infidelity
 

version

Well-known member
I realised all of lynch's films have big, classic, human condition-type themes once you unravel them

eraserhead - parenthood
the elephant man - beauty
blue velvet - innocence and experience
wild at heart - romantic love
twin peaks - sexual abuse
lost highway - jealousy (also guilt)
the straight story - familial love
mulholland drive - unrequited love
inland empire - infidelity

You can chuck in friendship for The Elephant Man too.
 

version

Well-known member
Screenshot-2025-02-22-at-21-19-17-Reddit-https-preview-redd-it-lynch-on-his-fascination-with-pre.png
 
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