Perhaps there's a DJ Spooky remix on the way?labrat said:In the art-world (fwiw) they are very very hip
Perhaps there's a DJ Spooky remix on the way?labrat said:In the art-world (fwiw) they are very very hip
Sorry, that was in reference to this thread: http://www.dissensus.com/showthread.php?t=3916polystyle desu said:Ouch ...
Japanese power trio. Debuted in 1996, I think, even though they all look like teenagers.m99188868 said:Who is this Boris?
Lots of stuff. I have bought 7 albums that they have released since 2000, and there is more to get.And what did he release?
Amplifier Worship - Evil Boris. Singer sounds like some monster with the head of Toshiro Mifune, possessed by the soul of Heihachi Mishima. Biggest riffs are on this, and some really long songs, like the potentially career-best 'GANBOU-KI'.
Flood - Gorgeous hour-long song split into four tracks. Really mellow for the most part, but while it ends up crushingly heavy and epic, it never gets aggressive. So much better than any Isis album ever.
Heavy Rocks - Odd in the sense that it forgoes the epic for feedback and effects-drenched rock and roll. Most songs are about 4 mins, most have vocals and it just rocks, Rocks, ROCKS. Like the ultimate Clutch/Scissorfight kind of deal. Best to check out the magnificent 'Dyna-Soar'.
Akuma No Uta - varies between droney epic intro and a few Heavy Rocks-style tunes. Was 2003 in Japan but I got it in 2005. Really cool, and more approachable than a lot of their other albums. The best for Western tastes to start, I suppose.
Pink - most people will know this, and it's part-culmination of all that has gone before and part-fuzzy garage album. Love the piss out of it, especially the gorgeous opener '決別', which apparently translates as 'Farewell'.
Not spent too much time with Absolutego, but it's a massive, hour long, riff thing kind of in the vein of Sleep's Jerusalem. Their collab with Keiji Haino (Black, Implication Flooding) is a predictably insane feedback fest, and for some reason the Merzbow stuff isn't that appetising to me, as I haven't really dug into their first album with him, MegaTone. Aside from that, there are albums like Mabuta No Ura, that I have no idea where they came from, but contain really cool normal-ish rock songs from them.
No prob.m99188868 said:Lovely. Thanks for that information.
Yeah, got that the last time I saw them. Very similar, structurally, though Flood sounds more 'organised' if that means anything. I'm deprived of sleep at the moment. Flood is more consciously 'epic' (in a super-Mogwai-circa-1999 way), while Feedbacker is more of a jam feel to me.OldRottenhat said:Boris - Feedbacker: At Last is also excellent, on the same tip as Flood judging by Throughsilver's description, a single track that develops through sections reminiscent of Pink Floyd or maybe even Codeine into an oceanic guitar drone meltdown that is just crushingly lovely.
I'd have thought they'd have released it by now if they were going to. That said, Pink has the love of the P****fork cru, so who knows what the current fashionista status will result in. I was lucky enough to get a stack of their albums for a decent price when I saw them the first time.Anyone know if Southern Lord are likely to do a US issue of Flood? I'd love to hear it since it seems like everyone's favourite Boris album but I haven't been able to bring myself to lay out thirty bucks for a Japanese import
almost 20 years since i last saw them, saw them at the lincoln center at the weekend. it makes sense to see them in an institutional setting coz they're institutionalized now. hard to see it as exciting. i knew exactly what to expect coz so far as i can tell they've been doing the same thing for all that time. it's a travelling art installation. i spent some time escaping the volume coz even with good earplugs in you could feel the damage accumulating by the minute. but you couldn't totally escape. the corridors were full of the sound. the toilets were full of the sound. the walls of the theatre couldn't contain it.In the art-world (fwiw) they are very very hip
i was sat literally right at the back, the lincoln center is pretty big, and you could feel the air being pushed out of the amps. it was shaking bits of my body. they didn't use the PA i think, it was just the stacks that they put in a semi-circle around them on stage. coz it was $5 for a ticket and coz it was at the lincoln center, which is basically an old people's home, so an unsuspecting crowd, some people started leaving after five minutes. the girl next to me had her fingers shoved in her ears. it was violent to some extent, people being subjected to something. i took my earplugs out for about a minute and it was absolutely gloriousthat's strange, I've seen them twice: once at fabric where the pa just completely flattened out the fakin thing, once at rewire last spring.
in both I expected extreme volume, as legends are told, but you really gotta stand right in front of the stage to get properly blasted with the overtones etc. or am i just deaf like all the other kids these days?