Altern 8 were great. If Oasis had ever done anything even half as entertaining as dropping Christmas puds on Stafford from a hot air balloon, they'd be immeasurably greater as both a band and a cultural phenomenon.
Who now listens to such rave milestones as the Prodigy's 1992 hit Charly
88-90: LFO, KLF, 808 State, Baby Ford, Nexus 21, Rhythmatic, Nightmares On Wax, Scientist, errrrr Guru Josh
I must confess I find it invigorating with a critic taking sides so blatantly, even one representing such a laughably worn-out and conformist genre as "nu-rock" (does an an all-comprising term exist?). The funny thing with this thread (and its ilks: "the wanky gutarists have taken over, we're all doomed" etc.) is that the curmudgeon and defeatist undertones somehow reinforce the (false) image of a weary and bitter dance community combating the vigorous and facetious "new" kid on the block.
As some people have already commented on: the old rave-chartbusters are far from lost in time, if anything they seem to have gotten more exposure over the last year or so. Also, "only very strange people", surely, = the hipster crowd => it will be the the bee's knees in no time.
I was leafing through The Guide today, and saw The Automatic described as 'nu-rock'. What's new about them?I must confess I find it invigorating with a critic taking sides so blatantly, even one representing such a laughably worn-out and conformist genre as "nu-rock" (does an an all-comprising term exist?).