Like The Deuce, ok I haven't seen the final series so maybe it changes, but with that proviso, it's the perfect example of what I'm talking about. They recreated Times Square in the 70s just as I imagined it (an interesting thing that, how I feel able to pronounce on how well a show has recreated somewhere that I have never been - and yet we all do it, why? How?) and then they chucked in a load of characters - Jackie Aprile from Sopranos as a likable and benevolent mobster(again), James Franco having loads of fun needlessly playing two roles, loads of actors from The Wire swapped around so gangsters and slick lawyers become lowly cops, that harmless and stiff English guy from Death in Paradise has become a vicious and scary pimp, Maggie Gyllenhaal as a pro etc etc
And then a load of bars and cafes and so on where they meet and chat - and, ok, occasionally kill each other - but really with only the merest hint of an overarching plot, perhaps that solidifies in the third series, but I don't care at all if it doesn't, I just loved that diner where the guy with the gravelly voice worked and pimps and their girls come in and argue and eat fried eggs - and it's such an immersive world, a great place to visit if you can do so totally safely as we can. Really immersive.
Although it's the same guys as The Wire who made it, although it is many of the same actors and on the surface it's also a gritty world of drugs and prostitution, it's a completely different beast. The Wire is angry, it's saying look at what's happening right now, look at what we are allowing, even causing. I say angry but it's not so crude as to say that overtly of course, it's just that telling that story comes from anger - and sadness of course. But The Deuce is different, it's history, you almost feel like the actors are having fun taking a totally different role, showing off what they are capable of. And so The Deuce is slighter I guess, less important perhaps... but it's great despite all that.