OK, I accept that as a valid criticism, but Gavin's original remark about how "we in the West have so little say over what goes on" (or whatever it was, that was the gist of it) carries with it such an obvious implicit corollary, to the point that it's almost explicit, that there exists a much better and fairer system somewhere else. And I fail to see much evidence of this, to be honest. I mean, if people in the US/UK are making "ironic" art because they feel so powerless in the face of the ruling system in power in those countries, it follows that art from countries like Iran or Burma or wherever must be orders of magnitude more ironic, does it not? Whereas having seen some of the stuff Gavin's been posting in this thread, it seems as if the sort of revolutionary art being created in dictatorships or violently corrupt pseudo-democracies around the world draws its power precisely from its honesty and authenticity as a means of expression.
Come now, this is willfully obtuse. Your "Iran-Burma" corollary (if I may call it that) only works if we assume repressive power works the same way in democracies and dictatorships. They don't, which isn't a point I should have to make among such enlightened company. Because a dictatorship MUST use coercive force to instill rule, it builds its own overt resistance, of which truly radical art is one form -- as Foucault remarks, resistance is CREATED BY power -- power precedes resistance. In the case of democracies, because overt force is rarely necessary (although it underpins all functionings of power in the last instance) because we are so free to choose what TV show to watch or what sweetened cereal to eat for breakfast, it never occurs to the vast majority of people (including, according to arguments made in this thread, a sizable number of people who post here) that they actually have no control over anything important -- for instance, whether the government that "represents" them decides to unleash unprecedented carnage on the poorer, browner races and lie through its teeth about it. Even war protests feel like empty gestures because the government DOES NOT GIVE A FUCK ABOUT WHAT THE PEOPLE DO because THEY CAN'T THREATEN THE WAY IT IS, and most don't really want to anyway (seriously, I took an overnight bus to Washington to protest the war and afterwards it just felt like how I felt when I jacked off when I was 13 -- that weird mixture of transgression, shame, but ultimately futility because Big Other actually isn't watching and neither is anyone else). Of course the baby boomers in charge of things decided long ago that masturbation is the highest calling in life (they call it "fulfillment" or any number of new-age-jargon terms). It's so drastically different a situation than in a dictatorship, and OF COURSE I don't advocate dictatorships (so mean and smelly!), nor do I feel like championing the wonderful democracies we live in that allow us to get so fat and stupid while our governments gleefully massacre thousands with our money while bestowing social death upon thousands more within our own borders.
As much as I disagree with Vimothy and Mr. Tea etc., I really doubt they are so stupid as to seriously misread what I wrote to the degree that I have to type out the preceding diatribe. I mean, you made me bring up jacking off in middle school -- no one wants to see that. I would much prefer a response to the actual content of my posts and not waste my time trolling through arguments attributed to me that I never made.
P.S. I just saw the Jeff Koons Pink Panther last week... it had the best spot in the museum and it's absolutely atrocious. It's not even well done for sculpture, and the joke wasn't even very funny or relevant back in 1988 or whatever. Though I do like some of the fake metal balloon stuff on a formal level. This picture doesn't really do justice to how crappy the sculpture is:
I mean isn't this all a lot of urinal-in-the-museum hubbub all over again?