DJ Sprinkles' (aka Terre Thaemlitz) 120 Midtown Blues - my record of the year so far (another great political house record!) - is all about this. (s)he cites it as coming out of a very specific (largely gay & transgendered) underground NYC scene & its very specific struggles, definitely an answer/backlash to all that C&C Music Factory/"What Is Love"/"Vogue" (there's a great track specifically ripping up Madonna) etc. pop house. or an answer to co-optation of a largely gay music (Thaemlitz focuses on the NYC scene but you could probably safely include Chicago as well). in fact one of Thaemlitz' biggest problems w/the recent deep house "revival" in European mainstream underground house is that it's once again been decontextualized - tho by the likes of Sascha Dive & Tiefschwarz & whoever else rather than Madonna.
man no this concept has not aged well at all especially given that she seems to be the only trans person that white people now default to in house music whereas people like Honey Dijon (although changing) and Lady Blacktronika just get sidelined. she has a revisionist view of techno as well and fetishises a lot of white technopop which is fine for an individual artist but as a commentator on house music i would expect better, not that i wanna be all kirk degiorgio like... although kirk is now playing cabaret voltaire on rbma lol (oh how times change...)