'For Heaven's Sake' (should've been a single, would've been a surging opener, an Inspectah Deck and Masta Killa showcase)
'Maria' (a grotestque misogynistic rant, in the vein of 'Wildflower' and 'Domestic Violence'; therefore horribly compelling)
'A Better Tomorrow' (majestic, a 4th Disciple classic)
'It's Yourz' (super catchy)
'Impossible' (amazing Ghostface and RZA performances)
'The City' (nice apocalpytic 70s b-movie atmosphere)
'Bells of War' (1997 exoticness, a kind of declaration of intent and lo-fi anthem)
'The MGM' (as charming and goofy as a dodgy DeNiro comedy vehicle, basically Ghostface and Raekwon go to a boxing match, amusing verbal interplay)
'Dogshit' (ODB's testament)
'Hellz Wind Staff' (sounds like Slint, subtle and one of my favorite RZA productions)
'Heaterz' (massive cinematic sweep, a grand, early True Master production)
'Black Shampoo' (U-God doing I Want You-era Marvin Gaye. Bizarre, hilarious.)
I really like Wu Tang Forever. It has a lot of different textures. I like the fact that it is absurdly, unjustifiably long. It's rap's Electric Ladyland.