I remember Neana trying to make Funky mixes of PAUG tunes for the Night Slugs crew about 4-5 years ago, and now she's doing Jersey Club tributes to other decade old grime records.
So now it seems all post-dubstep entities do is go through new rhythmic trends (usually American) while parsing the same big melodic ideas done by grime people decades before.
Unless you're doing this deep tech stuff and trying to be unhip and boring as hell.
so confused by this. u sound like u got no idea what ur talking about?
is the 'she' a typo? cuz neana's a dude. sounds like u may have got the wrong neana cuz he was getting NO play as far as i know 4-5 yrs ago, probably wasn't even makin music then. i first saw him on soundcloud with a handful of followers in 2012.
he's not doing jersey club "tributes" to old grime tracks, where did you get that from?
he made one track called bow kat which sampled rhythm n gash and also sampled MAW's ha track which is predominantly associated with ballroom, not jersey. he made a couple edits of early dizzee tracks, but those were in a style that didn't have anything to do with NJ. none of these could be considered a "tribute".
who are these post-dubstep "entities" now? name and shame or ur just extrapolating an idea from what im guessing was a mistaken identity anyway.
what is that deep tech comment about? none of the dubstep/uk bass crew are producing deep tech. u cud count pinch and brackles as being interested in/following it and playin some of the tracks at best. even so, surely u wud accuse former dubstep/uk bass crew of bandwagoning or trying to be "hip" if they were jumping ship en masse for deep tech.
if u think deep tech is boring then fine, but it kinda sounds like ur trying to pit UK vs US rhythms as if there are any such things, like as in NJ rhythm=America=interesting & worth stealing vs deep tech rhythm=UK=boring