Scritti! That woke you up!
Controversial choice, Corpsey hated it. This is my favorite track on Cupid & Psyche ‘85, a record I like because of its sound architecture: it’s like pop music made by laboratory technicians, like the Melba Moore record but a lot brighter, shinier, spikier. It also sounds like the moment Green Gartside almost got lost on mission, went native: I’m not saying this happened, but the joy of technique and the seductive tension of entryism can be detected in the sweet mesh of synthesizers and samples.