I'M A PRISONER VS DO YOU WANT IT RIGHT NOW

[Clinamenic]

@Clinamenic vote in our poll or version says hes going to punch your face in. you have to explain why you voted the way you did as well and you cant say just from fear of version punching your teeth in either.

Do I have to actually listen to the music?

 

[luka]

@woops

 

[luka]

@dilbert1

 

[luka]

@woops

 

[luka]

@woops

 

[luka]

@woops @woops @woops @woops @woops @woops @woops @woops @woops
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@woops @woops @woops @woops @woops @woops @woops @woops @woops

 

[woops]

both of these tunes are completely crap

 

[luka]

are you deaf

 

[woops]

effectively so to these rubbish tracks

 

[woops]

haven't listened to either of them cos I'm so convinced their both shit. I'm gonna come up with something myself soon that will render all this speculation about artificial intelligence obsolete

 

[luka]

literally two of the best songs ever recorded

 

[luka]

@dilbert1

 

[luka]

i voted miley but taylor is better, i just did it for balance

 

[luka]

is it though. i dunno. im sticking with my miley vote this song is nuts

 

[luka]

suddenly really tired

 

[dilbert1]

I voted Taylor because I am, or rather my ears are, quite viscerally afraid of the future

 

[dilbert1]

 

[dilbert1]

They are like era-specific versions of each other. Part of the algo quality must boil down to the key. The Miley elicits my sensual repulsion almost immediately upon impact with the oh-so-predictable late 10s/early 20s wallpaper-esque vocal melodies. And the Taylor is in a key ubiquitous to the muzak of its own decade, instantly bringing this to my mind to the point where I was hardly able to recall what I listened to without the two merging in my head, save for Taylor’s slicker synth-pop production:

 

[thirdform]

luka stop being an indie Staines wasteman. It's Siedah Garrett and Degrees of Motion versions ffs.

 

[luka]

pretty sure its not indie music third