Re: Josie Long. She's less twee than she was. Which is my way of trying to justify to myself that I like her.
Have you ever made the mistake of reading the cartoon things she does in the guardian weekend listings thing? fucking hell.
Re: Josie Long. She's less twee than she was. Which is my way of trying to justify to myself that I like her.
So is there a way to criticize tweedom without just sounding like we're saying that these softies should know their place and get back to their Belle & Sebastian records and quiet weeping while us real men get on with running the show?
Yes, culture won't be great until the power dynamics of the playground are extended to every sphere of life.
So is there a way to criticize tweedom without just sounding like we're saying that these softies should know their place and get back to their Belle & Sebastian records and quiet weeping while us real men get on with running the show?
So is there a way to criticize tweedom without just sounding like we're saying that these softies should know their place and get back to their Belle & Sebastian records and quiet weeping while us real men get on with running the show?
So is there a way to criticize tweedom without just sounding like we're saying that these softies should know their place and get back to their Belle & Sebastian records and quiet weeping while us real men get on with running the show?
There's a truth that extends beyond the twee thing to, well, almost any scene you care to mention there, I think. The steamrollering out of nuance and ambiguity and interest by an overexcited second generation jumping on the form without getting their heads around the intent...But even within the twee scene, once you get to the second generation, things start to get pretty heinous.
Yes because the decision to wear a cardigan and have a side parting is less the fuckwit stylings of people who would have trouble breathing if you took away their iPhone and more the plaintive yearning of sensitive, creative souls for a slower, more gentle time, people left cold by the hustle and bustle of modern life who just want to return back to when life was simpler like er...I dunno the seventies or maybe the eighties err obviously leaving out the strikes and class warfare and eerr yeah like didn't they have some excellent cardigans in those days....![]()
There's a truth that extends beyond the twee thing to, well, almost any scene you care to mention there, I think. The steamrollering out of nuance and ambiguity and interest by an overexcited second generation jumping on the form without getting their heads around the intent...
twee people/hipsters dont seem THAT nice in my experience. so this idea that theyre all just lovely softies caught up in a horrible modern world doesnt really hold. theyre just as aggressive. theyre not proper hippies.
Quick thought from the dynamic world of UK midrange high street fashion...
White Stuff, Fat Face and All Saints, possibly some other stuff in the middle - there's a continuum at work. White Stuff is definitely twee in the marketing and the presentation, even if tweeness isn't worked into every item of clothing (there's only so twee you can make a pair of socks). Fat Face is a bit twee - kind of pseudo surfer vibe, faux-handmade, lots of over-saturated pictures of Volkswagen campers around the place, but at the same time it's a different thing they're harking back to. All Saints is definitely not twee - they're after urban-goth-punk, wannabe Rick Owens, wannabe edgy and dark. But I think that they're equally good examples of the Other Concept that's haunting this thread - conspicuous pseudo-individuation, the off-the-self-lifestyle, individuality through consumerism...
Is this ringing any bells? Where does SuperDry fit in?
Although I think that Morissey is pretty cool.
sorry, your decision to (I think) couch your response to my ironic statement in a further layer of irony has left me unable to understand your point.
Skrillex of twee = John Lewis?
now, now, the cattiness is getting out of control.
I meant just that this thread was premised on twee becoming ubiquitous, and I think the John Lewis ad was the first thing cited as evidence of that ubiquity. So Skrillex has become a symbol of dubstep's ubiquity.