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thats what i find endearing about the cut copy album... the songs are very nicely constructed and the album flows well. it basically *is* a great general audience party album, which is something of a rarity nowadays?

I liked Hudmo's set that night. Didn't set my world aflame, but as far as a DJ dropping a range of music and keeping things ticking over and so on, he was very good.

make it happen - you owe it to yourself.

yeah, its a stompy electro number... but one of the retard party anthems at the mo. awesome.

lol, link?

For a dance set most kids don't give a shit about decks vs laptop etc, they want to party and that's it. Grumpy old buggers and people with large (emotional) investments in their vinyl collections may be crabby about it... and that's fair enough, to an extent. Seeing someone go nuts on 3 decks...

I am loving it to bits. Lots of it is really inventive while entirely unapologetic about thieving from old skool. e.g. the Le Castlevania remix of Rave is King by Fukkk Offf. What a tune...

its getting back there... fogbank by boy 8-bit has a taste of that non-linearity, or switch's mix of dooms night. or the bass switch-ups in jack beat's mix of jack got jacked by ac slater. or for something a bit tech-houser a lot of the martin brothers tracks have random sections and odd bits to...

pomomofo - back at the club - boy 8-bit remix

"I know something finna get jacked and its gone be hard…straight to the computer and then straight to reason 4.0." i love this... the incongruity between street and computers and reason four point oh.

i don't know how linked is it to economics specifically... but definitely after the past 8 years of retarded globo-political drama and eco-gloom there is an air of shrugging it off and finding some optimism, and also celebrating what a global thing there is happening musically with the net and...

the reravelists have a lot more left in them methinks... it's not all novelty bass tracks. and it's nice how there's the stuff happening in the uk and europe, and the bmore influenced material in the US, and the stuff from south america...

yes and no

hasn't this already been happening for a bit this year and last? you've got people like: rico tubbs fukkk offf jots brodinski fake blood crookers etc there's lots of old skool sounds freshened up (stabs, breaks, pitched sampled chords), non-linear track structure etc etc. even something like...

.

that's been the case for a while now...

Rico Tubbs

never played it, but that sounds great...

a million and one faceless techno producers

On the off-chance there's anyone here lurking around Welly tomorrow night...