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and i'd blame Bryars for doing the wrong thing more that TW in that instance.

Maybe those people you listed do the the thing i said: "fine tuning" their craft or expression - i'm only familiar with oldham. I'm not saying TW is the only person doing that, thank god. As for my idea of progressive music being linked to technology i think that is a real phenomenon but i must...

I'm a huge Tom Waits fan and your either a huge fan or a hater when it comes to Tom, it seems. It doesn't sound the same as everything he's done but it uses much the same sonic palette that he's been using since Swordfishtrombones around 20 years ago. Is this a problem? only if you dont like it...

Indeed it is - but it's a disco-nouveau track, surely, not a microhouse track as i understand it. If timecode is micro then so was the Metro Area album (and it certainly wasn't).

i absolutely agree about the dark green links btw - eyeache!

hello all - i hope this takes off! cheers