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you're under a bridge

Disco's cool.

geneus would probably run football teams really well too, the mans got vision

they even have ben ufo now

enjoying wiley's latest twitter rant

this thread kinda died off, anyone produce anything new lately?

the thing is the closer you are to 130 the less you're caring about being mixed with 'dubstep' and seem to care about house/funky more, 136 is pretty easy to push up there but 10 bpms gets kinda eh.

watch the questlove one, probably one of the best rbma interviews

the interviewer's good, but mostly with the hiphop stuff (so when he knows what he's talking about)

the difference in sound quality to 90% of the regular hardcore stuff I've heard is insane

I don't see how it's any different than internet radio, and I haven't seen anyone exploit the video capabilities of ustream in an impressive way yet.

Where/When can I buy these?

it's a great tune, just the clash in the lower mids of the bass and the tombs is the kind of thing a minimal techno producer obsessed with sonics would never do, but then the fact that he cares about the tune more is what makes him great.

I'll admit, Zomby's mixdowns can be pretty bad . . .

I'm gonna go ahead and be the biggest Zomby stan here and ask, which tracks are we talking about now? I can understand how people can rag on the last EP, but all the unreleased stuff and remixes that are slipping through the cracks sound way better then half the tracks on the first EP.

I'd agree, if the brostep guys had any sense of melody/beat.

no one's on his level, or can tell where he is in general because once the tune's out he's already on something else. he's so far ahead sometimes

for sure it's a lot more complicated, I mean I think Changes by Mala has to be one of the sexiest dubstep tracks, and that was a dubplate form very early on wasn't it?

in my mind hyph mngo (wot u call it stuff) =/= dubstep, or at least the popular movement of it. we cool now?

it's such a nerdy movement, 'dubsteps' become so sexless.