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The best part is when he glossed over all the kode9 tunes by saying 'i really don't like them'.

I'm pretty sure it's a joke 'cause it's a typo of a typo.

yeah never listen to hardware/software obsessed guys that aren't making good tunes, if you know your tools (even if it's just fruity or soundforge) well there are fewer and fewer limits to what you can come up with

Yeah, but I'm not talking about tunes in general, just Skream's output. He's well known to many completely outside the dubstep scene. People with small music perspectives that have Skream representing everything they know about the genre. (i.e. the boring people you're talking about).

the more money's at stake the wiser you have to be

but they'll probably complain about him losing the plot, then again he might get more female fans.

what was remixed more, pon de floor or hold the line?

It really lacks any pace until 3 minutes in, the first part really luls too much. I'd take the idea that you have from 3:00-4:30 and just expand on that.

I'm actually enjoying Unbalanced way more than the first 2562 album.

isn't he trying todo the same idea (genre wise) as Cooly G, just not as well? definitely not the greatest thing in the past 10 years though

That new House/Techno article in fact magazine is kind of embarrassing.

That's the line that the album finds itself on both sides of. Fuse is great, Twistclip is annoying. No One Could Ever is great, Just Decided is annoying.

I'd kind of put my faith in the owner, I mean hes gone this long without giving up or selling out, the place is his life and I doubt he's looking for an easy way out (by selling the licence/going pop) now.

It's Geeneus that got Funky playing at Rinse in the first place.

Like the track Twistclip Loop, really cheesy sampling.

the more internet we have involved with this music the faster we burn through it. just wait for this good 'ol hardcore continuum fall apart when genres start being pillaged faster and faster because of how easy access to them is. "what bpm are we at now? 126.79? ok i'll bring my saw bass synth...

Blow as in: blow up, or blow as in turn to shit.

You're better off not knowing. Epitome of half step post-DnB noise. Except without the production skills.

Been up to lots of garagey stuff lately, wonder what you guys think:

It really surprised me how much I liked this, sweet release. Feels a lot more aggressive than Burial. Also to the DMZ thing, as if we needed more reason to give up on dubstep.