This was the originating tune of the northern/modern split ("Modern Soul" meaning early 70s onwards,) extremely controversial, although I don't think anyone ever destroyed a copy.:
IMO (and obviously I'm reconstructing this historically, I wasn't there are the time) the records played on the scene got a lot better in the early 80s after the scene "died" and the Casino closed. You had venues like Top of the World in Stafford digging for slower, deeper records and playing...
The 100MPH wigan stomper side of things definitely lends itself to celebrating mediocrity, including stuff like the Joe 90 theme tune and barrel-scraping white pop shite like this (possibly the worst record to sell for £500+):
Not really symphonic (more of a post-psychedelic basement trip) but I'll take any excuse to post this, a similarly rare and expensive record that I do actually own:
Not symphonic by any stretch of the imagination, but probably my favourite use of strings on a soul record. Gritty midtempo Southern soul (even grittier on my battered vinyl copy) but when the strings come back at around 1.24 it goes heavenward:
This record (apparently with incognito P-Funk backing) is like a gorgeous bridge between late 60s psych-soul and early 70s symphonic, no strings but a lush and trippy atmosphere:
Chi-Lites of course, Delfonics/Stylistics etc. (all the early Philly Stuff.) Surprisingly decent guardian article: https://www.theguardian.com/music/musicblog/2015/apr/29/symphonic-soul-10-of-the-best
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