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yeah sorry - just realised i don't actually care.

no i'm not going to return under the name bobby, i've already wrote a couple of posts yesterday under my own name as it goes. but bobby is largely right I think - this is the most interesting thread on here in a while, there is so much going on and maybe its a bit too late for me to rewind as...

it didn't take dubstep around the world though - dubstep did that on its own - way before wobble came about really. the hate for wobble wasn't a net phenomenon too - its actually a response based on the sonics and the changes of attitude in the dance etc.. - things aren't net phenomenons unless...

this one is great too acid and pretty good mcing and a bit of singing this ep is a pretty beautiful thing - the only release this cat did on his own label matching sleeve and label - 4 mixes trying every range of contemporary style r and b, house, acid - and this intense desire in the record -...

<iframe width="425" height="349" src="http://www.youtube.com/embed/UKGdTV2jO1w" frameborder="0" allowfullscreen></iframe> love this record - it's just on the edge of falling apart - it's not got any acid in it either - reminds me very much of this same melody <iframe width="425" height="349"...

its an sh-202 i like the breaks and structuring jamal moss - hieroglyphic being and traxx are the best two guys at modern fucked up acid i reck

here is a comp on rephlex of lory d's mid 90's techno http://www.discogs.com/Lory-D-Sounds-Never-Seen/release/125432

i'm definitely coming to those two london shows with spinn rashad murderbot and the dancers - people who saw the show in brighton that I know were blown away.

http://www.rhythm-incursions.com/2011/03/15/mp3-phillip-d-kick-footwork-jungle-vol-1/ makes the relationships between juke n jungle pretty clear.

funky's got loads of dancehall in though, i was listening to a chef mix on rinse the other day and he was playing pretty much dancehall dubstep, mainly old coki plates, there was so much crossover in that music with the mordern roots side of things mostly, not really elephant man or whatever...

its just another regrettably twatish post and what we're talking about now is dif from what he's moaned about in the past too - he also edited out any balanced talk to feed his argument, it's more or less unnecessary, but still, alot of the music is crap.

its funny isn't it - the concept of house as straight up - the way its coalesced around a series of worn tropes, because initially house being the thing that gave birth to all these different things, it was really open to interpretation, competition and experimentation - i guess like any dance...

god this stuff is all they play on rinse during the day now - boring deep house with crap piano solos or parpy trumpets with some prick mumbling something 'deep' over the top - of course about 10% is a bit exciting and good music i guess - but they also play this stuff on' house fm' and live fm...

semtex works for def jam uk and has worked for a number of majors.

most important thing to remember is that while one side are defending wobble or whatever and the others are wiyning about keeping dubstep pure and like 94-5 and all that ( which they were probably not ever privy to anyway) loefah, kode9 and james blake and moxie in the other room all actually...

put your money where your mouth is by buying this dj spinn 12" on planet mu then http://boomkat.com/vinyl/386429-dj-spinn-man-i-do-it-ep

hello i did? - its on discogs - years old

in this case its a kinda dissonance which makes the relationship interesting though

twitter just makes me think that communication on the internet has really gone downhill, that whole burroughs idea of language as a virus is what twitter does best, but nothing interesting has ever been said on twitter, lots of distraction and passing whit but its best as a kind of noticeboard...

its a weird two way relationship though, they like our coolest western things too.