JACKBOYS has been pegged as a “debut album” for the titular crew, but that is clearly an overstatement. There are two Don Toliver songs and one Sheck Wes song. There is one Luxury Tax 50 verse. Travis Scott fills out the tracklist with a 50-second instrumental and a remix to his recent hit single, “Highest in the Room,” with Rosalía and Lil Baby. JACKBOYS is a branding opportunity, pure and simple: From the Harmony Korine cover art to the promotional film shot as if A24 produced a Need For Speed sequel, it all seems like empty influencer bait. This is music as part of a merch bundle, about as necessary as a branded fire extinguisher.