never apologize, my dude
You'll notice there was no apology.
never apologize, my dude
You could make a case of the original new age being a mirror to the eastern influenced avant classical origins of ambient, Cage, Riley, Young etc
I would go further, I think they're all on a single spectrum, with people like Joanna Brouk, Deuter, Ariel Kalma, etc somewhere in the middle. It depends what you count as new age.
This will sound like a cheeky question but really I'm posing it to tease out some discussion points - I wonder how is it you distinguish between good and bad, worthy and worthless when it comes to ambient music?
IT ALL SOUNDS LIKE MASSAGE MUSIC TO ME M8
this is what i was saying. it's almost impossible to make 'bad' drone which devalues the whole project to some degree.
i was at a william basinski thing with my sister on sunday just to loop the thread back to it's beginning.
it's almost impossible to make 'bad' drone which devalues the whole project to some degree
that is interesting about the sonics of bad drone. this is why it helps to have a producer around.
it reinforces the point that drone is a quality, not a genre. or that drone the quality is different from drone the genre.
this is what i was saying. it's almost impossible to make 'bad' drone which devalues the whole project to some degree.
turns out my sisters got me a ticket for that alva noto thing in marchOver the last few years, obscure Japanese ambient classics like Hiroshi Yoshimura’s Green and Midori Takada’s Through The Looking Glass have surged in popularity. Lewis Gordon investigates the phenomenon, talking to the record collectors and vendors in the US, UK and Japan that helped inform a new wave of interest.