"There was also "my eye for the ladies," twitching like a maniac, with insane industry, converting someone on the street into something as flat and fleeting as a bus stop Versace poster. (George Melly said that losing his sex drive was like being untethered from a wild beast!)
Not just images and bodies but every material: metal, glass, plastic, fibre. So tactile! The connection between Guy Bourdin's early slides of LA doorways and curbs and his later fashion photographs make exact and perfect sense now. He made connections that would come to define the link between lust and consumerism. He realised this subtle intimacy between things, how it would, in the future, finally determine reaction and response, undercurrent and contours."