the stumbling block for me with a lot of this stuff / deconstructed club is that all the production virtuosity doesn't seem to be channeled in a very interesting direction. to me it often sounds more like audio from some sci fi action movie trailer than anything else: it's very hi fi and attention grabbing (a lot of LOUD DRAMATIC IMPACT sounds), but sort of lacks the can't-believe-what-i'm-hearing, "impossible" manipulations of sound you get in electroacoustic. which supports blissblogger's point about its dependence on EDM aesthetics. thinking of stuff like arca and jam city I guess.
would be happy to concede that I'm missing something. that's just often been my initial (discouraging) impression.
Anyone able to provide an example of a conceptronica release they're genuinely into where the theory enhances the music? I'm talking recent stuff here, not the previous stuff we were talking about when it went back to Drexciya etc. Something within the last five years or so.
Anyone able to provide an example of a conceptronica release they're genuinely into where the theory enhances the music? I'm talking recent stuff here, not the previous stuff we were talking about when it went back to Drexciya etc. Something within the last five years or so.
He's fucking up the camo with that blue brolly.
What's the concept behind Intra?
americans in bedrooms want to be british on the roads
quaint.
That sort of thing doesn't really strike me as conceptronica because it's still all about the music, the concept is a musical one. I'm thinking of the stuff that Boomkat et al. claim is about 'the age of fake news' or 'replicating our hyper-atomised society thru punishing sound design, dembow rhythms and road man swagger'.