okay got curious and listened through like 15s of the intro and it hit so hard that I might listen all the way in this very moment
okay lost my patience after 10 minutes, turns out americans don't know how to a) build up anything that's not a literal build up/drop structure b) use reverb and delay as anything but icing sugar
I'd be curious to think when did this thing happen of track build up and drop being like almost completely unrelated, it's like the hardcore piano sample jumping on something, except usually it's french house synths, since like 2008 this has been the case
I would blame french house maybe? or the so called electro-house (not benny benassi but all the bedroom producer kind that arrived later)
skipping through, that's why the track with boys noize stands out - it has some sort of progression that's does not sound like a random blend of two completely unrelated tracks (maybe because of being a bit more minimal as well (oh nvm that fucking chordy moment actually does happen at some point there too)
people from the US be like: nooooo you have to add new shit to the arrangement every 16 bars that's what progression is everyone will get bored otherwise
it's not even about riser builds/drops at this points, it's something else