Deep House and Garage

[cossrooper]

Then we slap this on when he loosens up



Sometimes frustrating with youtube. The rip I have has so much more oomph. Still a choon

been collecting that early Final Cut stuff for a year or so now. You cannot beat Mateo + Matos in that early "couple machines and a sampler" and shitty pressings era. Sounds like they were figuring it out as they went, both sonically and in terms of putting records out* and they're so good for it. I feel like Mateo and Matos went a little too King Street/Soulful as the 90s went on, at least for my taste.

*this trajectory (the shittiest record pressings, very simple and lo-fi production, and a shitload of aliases) is virtually identical to the Murk early years.

Final Cut

NY House Label around 1991/92 (Mateo & Matos).

www.discogs.com

 

[cossrooper]

Also the little taglines on the Final Cut releases are 👌

 

[DLaurent]

Been listening to Abacus - Relics EP but sure everyone knows that already. On a Detroit vibe though I think this is pretty deep from Terrence Parker and Claude Young.

 

[Murphy]

Had a funny tune hunt solved recently through confusing Terrence Parker, Terry Hunter and shout out tracks of a certain vintage. A crack team of old sketchy crew scratched their heads, then @pattycakes_ cracked it one filtering discogs releases

Great success

 

[mixed_biscuits]

One of my fave albums:

 

[Murphy]

been collecting that early Final Cut stuff for a year or so now. You cannot beat Mateo + Matos in that early "couple machines and a sampler" and shitty pressings era. Sounds like they were figuring it out as they went, both sonically and in terms of putting records out* and they're so good for it. I feel like Mateo and Matos went a little too King Street/Soulful as the 90s went on, at least for my taste.

*this trajectory (the shittiest record pressings, very simple and lo-fi production, and a shitload of aliases) is virtually identical to the Murk early years.

Final Cut

NY House Label around 1991/92 (Mateo & Matos).

www.discogs.com

Final Cut, there’s a blast from the past jfc. Not many releases, a solid example of putting out your own material (d.i.y. style) and building from there. There’s the odd M&M gem later from that decade, it’s the range that hits, ie

slow builder



Plateaued out e-groover, Sunday morning 7am



Later 90’s favourite, all the elements in sync + keys of Dionysus (posted way up thread)

 

[catalog]

I used to cane that Ian Pooley since then album, not heard this one tho

 

[pattycakes_]

@cossrooper welcome aboard

@WashYourHands that Division 1 is sublime. damn

 

[Murphy]

re-Pooley, only heard him play out once and he played this twice



@pattycakes_ Div 1's a ridiculous mixing tool too, you get lost in it

 

[catalog]

That followed tune from the lp you posted is on some other album of his I've heard. Return from ibiza vibes.

 

[pattycakes_]

(loosely in honour to C. Corea)

 

[Murphy]

Idjut Boys

Explore the discography of Idjut Boys. Shop for vinyl, CDs, and more from Idjut Boys on Discogs.

www.discogs.com

 

[luka]

in my head this thread has run through every house record ever released and has now looped back on itself to start again. good work boys.

 

[mixed_biscuits]

I used to cane that Ian Pooley since then album, not heard this one tho

Since Then has a jollier feel and I like too, but Meridian is better IMO

 

[mixed_biscuits]

Has this one been done?

 

[luka]

yes three times now

 

[luka]

the minutes of pleasure one was good do another one like that

 

[Leo]

the only single from this ron trent/Anthony Nicholson project. four mixes, all pretty cool, go with this one



Andy T4 weeks ago
Oooooo yeah, Best team since Ben and Jerry

 

[pattycakes_]

 

[Murphy]

in my head

yeah this is where your problem originates