in a move that will satisfy few here I keep thinking of the moment in relation to guitar music's turn towards the physicality of sound around the time of early psyche and Cool Rock Music's birth with the velvet underground and the stooges.
The depths and textures and tactility of the sounds and environments created become as important as the tune. The grating violin at the end of VU's Heroin is an entirely physical phenomenon, no different than Arca tossing in some screeching amorphous howl into a track. I love all this stuff but you would also understand how someone could take the angle Luka is taking here with CGI music and say that it was a transitionary moment. A project only fully realized later with sub genres in and around the punk, post-punk, metal, noise, psychedelic label (genres that are all primarily physical) presenting the effort in their own concise thematic packaging. Its not a perfect comparison but it could be CGI music is at a similar point of bifurcation.
I used to listen to My Bloody Valentine and feel like the intense weight portrayed in the music was tugging at my chest with all the physicality of a giant pushing an iceberg up a mountain. Has CGI music had that moment yet? Genuine question as I'm not the most familiar