Digital Music as CGI

[woops]

id listen to a woops meets wektor album

doesn't @wektor work 150 hours a week though so might be tricky to schedule

 

[woops]

remix

i managed 3 minutes of this one, too bad for me if it turns into debussy 4 minutes in

 

[luka]

i managed 3 minutes of this one, too bad for me if it turns into debussy 4 minutes in

what does it sound like? what was it doing? i cant listen at the minute something else is on

 

[woops]

some music bores were saying the same thing on twitter recently

now some music bored are saying it on dissensus

 

[woops]

what does it sound like? what was it doing? i cant listen at the minute something else is on

basic drum pattern and synth going oink

 

[william_kent]

Bangalter just got that idea from the KLF's "How to write a number one" where they say:

We await the day with relish that somebody dares to make a dance record that consists of nothing more than an electronically programmed bass drum beat that continues playing the fours monotonously for eight minutes. Then, when somebody else brings one out using exactly the same bass drum sound and at the same beats per minute (B.P.M.), we will all be able to tell which is the best, which inspires the dance floor to fill the fastest, which has the most sex and the most soul. There is no doubt, one will be better than the other.

 

[version]

i managed 3 minutes of this one, too bad for me if it turns into debussy 4 minutes in

You never listened to EVOL before? All their stuff's like that. They just take sounds from dance music then isolate and loop them.

Mentasm




Acid




Poing

 

[wektor]

doesn't @wektor work 150 hours a week though so might be tricky to schedule

nays, Ive been doing 3h per week in kensington since I started teaching.
I'm still recovering after that fucking tonsillitis I caught three weeks ago, but from next week on I'm absolutely up for business.

You never listened to EVOL before? All their stuff's like that. They just take sounds from dance music then isolate and loop them.

this gabba one is brettty funkiy
if you listen to it walking it's very easy to trip somehow because of how desync'd the beat gets with your inner brain/steps

 

[woops]

nothing to do with the subject of the thread but i feel like this

is a track- it could have come out in 96 for all i know - whereas this

seems to be over reaching itself in a way i find less pleasing

 

[william_kent]

when i put this on, i thought, getting there. at least there's an effort to make a tune. but it doesn't develop and bears an uncanny likeness to the sound of someone yawning.

love the way you've called out Actress as a total fucking chancer in a low-key way

R.I.P is the best of his output that I've heard ( make of that what you will )

 

[woops]

very minimal production style it's basically that gurgling bass sound and his voice

 

[woops]

right i've lapped myself on this thread now and caught up to myself posting i was going back to the start

trust you all enjoyed my incisions

 

[luka]

right i've lapped myself on this thread now and caught up to myself posting i was going back to the start

trust you all enjoyed my incisions

summary-everything is rubbish and sounds like woops on a bad day

 

[woops]

some of his tunes do have a nice sturdy sound design to them, I like his catchier breakbeat tunes but the ones that are supposed to freak out the dancefloor or whatever come nowhere close to the shock of flashcore quality

I'm guessing this is a try to bite on a little bit of acid flavour?
it's kind of interesting how dissonant it is, even in the lows, yet it does bounce

the difference between this and the portentous gate stuff i listened to is that this is music

 

[woops]

the difference between this and the portentous gate stuff i listened to is that this is music

hear that french voice woohoo

 

[woops]

summary-everything is rubbish and sounds like woops on a bad day

i like that MESH a lot

 

[woops]

Yeah, it's just too clean.

classic @thirdform riposte. it's just too clean, have some unlistenable and too fast acid noise instead

 

[wektor]

I'm experimenting with some CGI based music for school now actually

it's based on a classic double pendulum chaotic system, sounds like this:

 

[version]

love the way you've called out Actress as a total fucking chancer in a low-key way

To be fair, those tunes were posted specifically as examples of what Luka was describing...

"... so when you model a sound you are modelling a material and a movement and even an implied physics... "

He's got proper tunes too,

 

[woops]

although now i listen to more of the track it also has the classic thirdform-music quality of becoming quite immersive once you break the barrier