he actually composed some cod reggae lol. or cod reggae-rock crossover, whatever.
sorry @mvuent sent you the wrong one this is the cod reggae one
so it sounds like maybe what he took issue with was sound system culture, the emphasis on visceral sonic qualities over messages...The problem for Cardew was living in Hackney, a solid working-class area well' populated by young black reggae fans, which meant bass and drums, powerful enough to steamroller flat the doctrinaire Maoism and limp music of PLM. "Those rhythms will have to go", mused Cardew without a trace of irony.
interesting, i hadn't heard that one lol. wonder how that squares with david toop's account of interviewing him:
so it sounds like maybe what he took issue with was sound system culture, the emphasis on visceral sonic qualities over messages...
interesting, i hadn't heard that one lol. wonder how that squares with david toop's account of interviewing him:
so it sounds like maybe what he took issue with was sound system culture, the emphasis on visceral sonic qualities over messages...
even funky gibbon is too highbrow for cockneys?the melodies are too highbrow for the likes of the boogie-woogie piano and music hall east end cockney boozer music.
my favourite one isn't on youtube. british imperialism, get out of ireland, down with your murdering plunder and rule. as close as he came to a rallying cry. in general Cardew's music is too considerate to serve as war cry, but that one works.
even funky gibbon is too highbrow for cockneys?