Shannon Ives's Those Fatal Flowers ("Greco-Roman mythology and the mystery of the vanished Roanoke colony collid in this epic debut filled with sapphic longing and female rage," which Eilish Quin--author of Medea--called "a queer form of time travel.")
Natalie Haynes's The Children of Jocasta ("The New York Times bestselling author of Pandora's Jar and Stone Blind returns with a powerful retelling of two ancient classical works from the perspective of the women the myths overlooked")
Hannah Lynn's Daughters of Olympus ("Demeter did not always live in fear... After an act of devastating violence though, she hides herself away among the grasses and wildflowers... The daughters of Olympus will have the last word... Demeter will destroy everything--even the humans she holds so dear--to bring her daughter back," which Lauren J.A. Bear, author of Medusa's Sisters, called "both a celebration of women and a testament to the importance of perspective--the untold and underappreciated stories")
Nikki Marmery's Lilith ("Lilith and Adam are equal and happy in the Garden of Eden. Until Adam decides Lilith should submit to his will and lie beneath him. She refuses--and is banished forever from Paradise... But Lilith has a secret: she has already tasted the fruit of the Treet of Knowledge. Endowed with Wisdom, she knows why Asherah--God's wife and equal, the Queen of Heaven--is missing. Lilith has a plan: she will rescue Eve, find Asherah, restore balance to the world, and regain her rightful place in Paradise. Lilith's quest for justice drives her throughout history, from the ziggurats of Ancient Sumer to the court of Israel's Queen Jezabel...")