The skull crusher crackhead from Twin Peaks s3 was good, when it goes all 'nuclear' with the warped filtered noise sequence.
Time for the Instagram girlies to all post RIP David Lynch, mourning providing an opportunity for publicly advertising cultural capital in a socially accepted manner.
I was talking to Liza and saying "David Lynch is dead" and she was saying "I'm already bored of every single wanker on fb insta twitter baning oa about it" - I'd only just heard.
Yep you can't win, there is no way to escape this vicious post-modernity trap. Even by talking about how there is no way out.Sometimes I feel like that, but then I also feel like that about the people trying to act above it all and moaning about everything too, so you can't win.
what would you say were the defining themes of his movies?
I must remember to watch this tomorrow, neatly enough Lost Highway was on telly a couple of weeks ago and although I've seen it several times I just started watching the first bit and then predictably enough ended up watching the whole thing.
I liked that one thing he did once about the hidden world of surreal horror and depraved violence behind the facade of ostensibly wholesome small-town America, oh what was it called now?what would you say were the defining themes of his movies?
Exactly! In contrast to serious men, like us.Time for the Instagram girlies to all post RIP David Lynch, mourning providing an opportunity for publicly advertising cultural capital in a socially accepted manner.
Good question, cos the obvious thing everyone will say is small-town suburban weirdness or something but really that's only Blue Velvet and maybe Twin Peaks - and most of his other films that are about totally different subjects still have the same feel. Some kind of neo-noir thing with pseudo-depth from things that look like they mean something but probably don't, yet somehow they end up achieving something anyway.what would you say were the defining themes of his movies?