Now that's another kettle of fish entirely. One time we had to relocate at the last minute to a new venue and (unfortunately) there was a microphone plugged in to the mixer. This bloke first requested the Arctic Monkeys and when (guess what?) I didn't have it he grabbed the mic and started chatting. Everyone seemed to think it was something that I wanted to happen and annoyingly he was quite good. Luckily someone managed to pull the microphone out and hide it before he completely upstaged me."What about people who want to MC?"
What about people who want to MC?
not sure that it is such a great story, in itself, but it could be interesting if this becomes commonplace, as people might stop demanding the dj plays requests and just start plugging their phones in the mixer instead (as happened to bun-u?)
This guy was insistent about having "a go" on the decks (with our records!) and had these unbelievably long and complex theories about what he was going to do, culminating in using the 33/45 button to slow things down and therefore make the entire crowd of people travel through time and space.
This guy was insistent about having "a go" on the decks (with our records!) and had these unbelievably long and complex theories about what he was going to do, culminating in using the 33/45 button to slow things down and therefore make the entire crowd of people travel through time and space.
he recited a freestyle poem in my ear, something about function of the spirit etc etc.
was this in Bristol? I think i've met him as well.... or maybe there's a few of them.
MCs are always awful except once I had a passable UKG MC get on with me. I really enjoyed it personally.
Also a guy in Germany shouted over a whole set of mine in weird german english, I really enjoyed it and have now booked him to appear with me in Berlin![]()
i got to play a few records while the twat stood over me neurotically watching his decks and trying to twist the eq knobs.
This guy was insistent about having "a go" on the decks (with our records!) and had these unbelievably long and complex theories about what he was going to do, culminating in using the 33/45 button to slow things down and therefore make the entire crowd of people travel through time and space.
Drugs might just be a dj's best friend, hate to say.
ahhhh acid...
Although on the other hand (as I think was mentioned upthread), an audience who's tripping or rolling are probably much more likely to go along with your selection...
Not that I'm condoning the use of anything (haven't done acid or x for years), but would most of the ravers back in the day even have been open to abstract beat music in the first place, without ecstacy expanding their sensibilities? Drugs might just be a dj's best friend, hate to say. I almost think that truly experimental dance movements (and open-minded audiences) are unlikely to re-emerge on a large scale, unless there's some kind of drug fueling the scene... and I'd feel a bit guilty to hope or suggest that this should happen, despite loving experimentalism in music (and the occasional vice or whatever). I've seen too many kid's serotonin levels screwed up to ever recommend it to anyone. It does seem though that with the decline of ecstacy, also went a certain level of open-mindedness in the dj's audience. :slanted: