andy stott is british right
the only difference between that track and a US footwork track is pretty much that there is a junglish kinda atmos in the music, plus the production is a bit smoother than some of the US stuff, a bit more technoey - it's pretty much an authentic take on footwork otherwise, that junglist vibe probably comes thru cos us brits are immersed in our own dance music history so it comes out by default - same reason why footcrab's turned dubstep inside out using bits of juke and sorry but it's silly to say that footcrab is smooth, its probably dubsteps punchiest track in its history - rhythmically and in terms of straight up repetition and that's all to do with what it's taken from juke.
The hybridisation is far more interesting than someone trying to do a uk footwork track which is what andy stotts done, whats the point when the hybrids much more interesting and they work for uk dancefloors - you get into the same sort of area b12 were getting into with its relationship to detroit techno more or less.
the only difference between that track and a US footwork track is pretty much that there is a junglish kinda atmos in the music, plus the production is a bit smoother than some of the US stuff, a bit more technoey - it's pretty much an authentic take on footwork otherwise, that junglist vibe probably comes thru cos us brits are immersed in our own dance music history so it comes out by default - same reason why footcrab's turned dubstep inside out using bits of juke and sorry but it's silly to say that footcrab is smooth, its probably dubsteps punchiest track in its history - rhythmically and in terms of straight up repetition and that's all to do with what it's taken from juke.
The hybridisation is far more interesting than someone trying to do a uk footwork track which is what andy stotts done, whats the point when the hybrids much more interesting and they work for uk dancefloors - you get into the same sort of area b12 were getting into with its relationship to detroit techno more or less.