version's the only potential reader whose opinion i care about, tbh@version will be attending this or have you and Ian still got unresolved issues from the incident a couple of years ago?
yeah, that essay "on worldbuilding" is one i remember. that's a very interesting observation at the end, but the short answer (for now, im eating dinner) is that the way i'm using the term worlds is misleading. in the end i'll say that actually they're all parts of one world. the dreaming. the sky continent.Mvuent my first question for you is this
Your work on "worlds" echoes many of my own explorations. We have several threads here on Dissensus about worlding. Meanwhile, Peli Grietzer has written extensively on "vibe" as a kind of world-capturing. There have been essays for and against world-building. Simon has written about the worlds created by conceptronica.
It seems to me this sort of thinking is very much in the water. Do you agree? If so, what do you think it says about the current moment?
David Chapman writes, very relatedly I think,
And I can't help but wonder whether the desire to create/navigate/inhabit worlds is a regressive impulse to return back to the subcultural mode, for those atomized, or a step forward into the fluid mode. What do you make of all this?
interesting. i'll respond to your question with a question, rush
excerpt from a previous draft (before i decided to end on this topic):in the end i'll say that actually they're all parts of one world. the dreaming. the sky continent.
Lovelybut the short answer (for now, im eating dinner) is that the way i'm using the term worlds is misleading. in the end i'll say that actually they're all parts of one world. the dreaming. the sky continent.
That's right.you have to stay till 9am its in the contract
the essential enya song is "Caribbean Blue" and it's not even close. a beautiful song about South. (which is a topic of its own.)This series is inspiring me... on to the third entry
Never heard this Enya song before... "Orinoco Flow"... Very catchy. I'm trying "Only Time" next...
yeah, very well spotted. i'm always very worried that mentioning specific music i like will cause other people to lose interest. the music i'd estimate as occupying the center of the universe is so often stuff no one else i know cares about. so if i want on some level to convince you all that it actually is the center of the universe, i figure i have to start by convincingly explaining how it relates to other stuff in the first place.It's interesting to me how captured Ian is by the esoteric-mainstream axis. Every time he makes a point he says, "this isn't an esoteric argument it's even here in this very mainstream Enya song." Mind you, love the essays, just noticing. Important to pay attention to the pathologies of your peers... they say something important about your own pathologies
excellent point. i think there's an argument to be made that enya was the first really popular "virtuoso" vocalist to do music as diegesis via audio animation. (first and maybe only virtuoso guitarist to do so was ofc hendrix.) vocal-centric music is usually the ultimate stronghold of music as performance for obvious reasons. neon screams is, to me, all about music of enya's cloth, in a way.I dont know if 'prescient' or 'influential' is the right term, but Enya seems like an important proto- for the modern milieu
I've no energy atm. Totally depleted.Luka, sometimes it feels like we're the only ones on this board dedicated to fostering culture... genius... explorations of the inner and outer world. It's lonely being so dedicated. You try to set high expectations but they always let you down. Where are the questions from the other board members? Where is the exegesis?