well its hardly a recent mego release is it about 2 1/2 years old from a label that no longer operates
isn't it funny how post rock now sounds like such an out date term.
entirely male audiences at gigs
I saw Mogwai in Liverpool a few years back, easily 99% male. I saw GYBE around the same time, 2002/2003 I think, and that was a bit of a sausage party too. Maybe a few more women, nowhere near 50/50 though.
Can't say the live experiences really converted me either.
Fennesz was incredibly dull, (ie laptop playback with crap guitar playing over the top, no live processing of the guitar sounds, might as well have just listened to the CD at home, blah blah...)
gek-opel said:All are generally utterly tired approaches now of course
speaking of Swears: I was just wondering earlier if you've heard A.R. Kane's "i" because if not, i wonder if you'd like it. i'll sendspace it if you want it, let me know...for some reason Swears letting up on the anti-indie stance is intriguing me, and I want to see what he'd find acceptable.
yes, I am procrastinating to avoid doing homework right now
a friend just got back from london and he said there was a strong representation of the "hot-chicks" (sorry for political incorrectness) contingency at the dubstep events he went to... is this usually the case???
Errm, its not as strictly homosocial as it was a year or so ago, (maybe 65:35 male:female)
Tanzmuzik - sinsekie - nice japanese thing on Rising High back in the day. sounded a bit out of step at the time, which does it a lot of favours today.