Campaign For Real DJ's

subvert47

I don't fight, I run away
sorry guys but "real" djs don't even need two decks. A deck, an echo, a siren and some religious instruction is all you need, any more that that is turntablism.

actually just the one deck on its own

put the record on at the beginning
play it through to the end
take it off
put the next one on
etc

that's my kind of dj :D
 

Tentative Andy

I'm in the Meal Deal
actually just the one deck on its own

put the record on at the beginning
play it through to the end
take it off
put the next one on
etc

that's my kind of dj :D

Crap to dance to though.

(Contestant name: Andy, specialist subject: the bleeding obvious. ;) )
 

nomos

Administrator
paul, i think you can on a pc with something called reversinator or something. don't know how good it is. my method has been to keep a few rewind clips in their own track with no adjacent audio. hit the clip when you just want the sound. hit the scene when you want it to stop audio. in the end i don't bother when playing live though. or you can set up a midi track with a sampler on it and trigger that from the keyboard.

basically what live needs for this is a means of scrubbing a selected clip. the big controller knob on my NI box is begging for something like this. until then i'd rather find something inherent to the platform as a substitute - i.e. not going through hoops to sound like i'm playing a record.
 

zhao

there are no accidents
it's just like being at a shitty rock gig you mean.

the kind of live music i see usually involve sustained duration much longer than 3-5 minutes.
 

Chef Napalm

Lost in the Supermarket
Serato is the way to go for live digital mixing
You want to talk about shit sound: Serato! I don't know if it's the hardware or the software, but Serato makes even the warmest house sound sterile.

My feeling is that the DJ should always be busy, whether it be tweaking EQs, teasing with samples, extending with two copies, or what-have-you. If you're using Ableton because it makes it easier to mix two tunes, then you're doing it wrong. If you're using Ableton because it allows you to push your tracks into new territory or to take something someone else made and make it your own, then you're making the right moves.

In the end, I don't care HOW the DJ rocks the crowd, as long as he/she does.
 
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john eden

male pale and stale
Rethinking this I remember that one of my best dj sets was at a house party using someone else's music and a basic hi fi. No headphones. Had to keep switching between cassettes and vinyl.

Everyone was well up for it so it didn't really matter all that much - in fact it probably added to the lunacy of the occasion.
 
D

droid

Guest
You want to talk about shit sound: Serato! I don't know if it's the hardware or the software, but Serato makes even the warmest house sound sterile.

Not sure I agree as I havent had enough experience with it TBH. Havent noticed any huge issues with it when ive heard other Djs use it.

But anyway - I meant in terms of functionality.
 

hint

party record with a siren
the sound produced by serato these days is all good when set up correctly.

They've just released a new box with higher specs (and higher price), so they do acknowledge that the sound quality of the original box has its flaws.
 

psherburne

Well-known member
actually just the one deck on its own

put the record on at the beginning
play it through to the end
take it off
put the next one on
etc

that's my kind of dj :D

I had to do this once at a gig, actually, when one of the needles broke, and the promoter ran home to get another one. (Ahem.) Flipping a record takes longer than you might think!
 

john eden

male pale and stale
I had to do this once at a gig, actually, when one of the needles broke, and the promoter ran home to get another one. (Ahem.) Flipping a record takes longer than you might think!

It's when the patter means more than the platter.

"This one fresh in from JA - out to the guy in the slipknot t-shirt".
 

john eden

male pale and stale
Actually fuck it, I should really take a mic out with me when I play out.

"Will the owner of the blue cortina registration number 'B1G 1T UP' parked in front of the venue please remooooooooooooooove ya or you're going to be towed away".
 

john eden

male pale and stale
Well there were a lot of what I guess you would call "bedroom DJs" who could beatmatch hours and hours of "deep" tracky shit which nobody danced to.

Actually I'm just going to use this thread as an excuse to waffle on about dj-ing at parties because I think that's better than talking about serato.

Me and a mate got asked to play someone's birthday party in a fairly swanky club near piccadilly. Her younger brother was on before us playing deep house and it was ok but he was really putting everything into it. I think he was quite nervous because a load of his mates were there.

He was technically great and his tunes were alright, but nobody was dancing. He looked visibly crushed when we followed him, drunkenly throwing on badly mixed reggae, funk and 80s electropop. Which of course went down very well.

I could see a lightbulb going on above his head tho...
 

zhao

there are no accidents
He was technically great and his tunes were alright, but nobody was dancing. He looked visibly crushed when we followed him, drunkenly throwing on badly mixed reggae, funk and 80s electropop. Which of course went down very well.

a story which would also sit comfortable in the "music for small bars" thread.

and what i proposed in that thread is MARRYING this deep house dood's mixing technique and dedication WITH eden's drunken charisma.

"This one fresh in from JA - out to the guy in the slipknot t-shirt".

hahahaha
 
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This thread just makes me want to go to a complete car crash of a rave now to be honest.
Or a house party with 3 or more DJs present, they're always the best.
 
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