I love old hardcore at 150, I think that gives me all that I want sometimes,
great breaks, samples, optimistic synths & rude bass - it has such an energy & optimism
I would like to see what modern producers could do at 150, that Pinch thing is pretty cool
did anyone hear about the supposed (&failed?) conference that Dillinja & lemon D held in a pub to try to get Drum and bass producers to slow down the bpm to near 150? clearly no one listened but it drum and bass would have been so much better in the last 10 years if they had