Benny Bunter
Well-known member
First saw this footage on that famous Bob Dylan documentary and was blown away. Its a terrifying and literally explosive performance
Odetta - The Waterboy (1959)
Odetta - The Waterboy (1959)
It's that slapback echo thats on eveything that really sends shivers through my spine on that, and a lot of the early Sun records stuff. And the wordless falsetto parts just transport me to another dimension.
Like you said on the other thread, what appeals to me in this musics are the ululations, wails, grunts and screams.
Bo Diddley - Who do you love (1957)
Here's that amazing slapback echo effect all over everything again. Bo Diddley was definitely a big sonic innovator in other songs with the tremelo guitar and distortion, homemade guitars and amps etc. All the 60s beat groups did covers of his songs or ripped off his signature rhythm. But I choose this one cos I love the lyrics as well, that super dark sense of humour thats in a lot of these songs.
I walk 47 miles of barbed wire
I use a cobra snake for a necktie
I got a brand new house on the roadside
Made from rattlesnake hide
I got a brand new chimney made on top
Made out of a human skull
Now come on take a walk with me Arlene
And tell me who do you love?
Who do you love?
Who do you love?
Who do you love?
Who do you love?
Tombstone hand
And a graveyard mine
Just 22
And I don't mind dying...
Here's another one with that feel from 1959, though it's quite hard to categorise. It's ostensibly sort of a lounge/easy listening version of a standard, but the lap steel guitar is fierce, moaning and crying like a human voice, and the whole thing has such a great atmosphere.very exotica tiki bar coconut shell bra feel that one.
First saw this footage on that famous Bob Dylan documentary and was blown away. Its a terrifying and literally explosive performance
Odetta - The Waterboy (1959)
With only one lung!a pretty crazy singer as well
Bo Diddley - Who do you love (1957)
Here's that amazing slapback echo effect all over everything again. Bo Diddley was definitely a big sonic innovator in other songs with the tremelo guitar and distortion, homemade guitars and amps etc. All the 60s beat groups did covers of his songs or ripped off his signature rhythm. But I choose this one cos I love the lyrics as well, that super dark sense of humour thats in a lot of these songs.
I walk 47 miles of barbed wire
I use a cobra snake for a necktie
I got a brand new house on the roadside
Made from rattlesnake hide
I got a brand new chimney made on top
Made out of a human skull
Now come on take a walk with me Arlene
And tell me who do you love?
Who do you love?
Who do you love?
Who do you love?
Who do you love?
Tombstone hand
And a graveyard mine
Just 22
And I don't mind dying...
Here's another one with that feel from 1959, though it's quite hard to categorise. It's ostensibly sort of a lounge/easy listening version of a standard, but the lap steel guitar is fierce, moaning and crying like a human voice, and the whole thing has such a great atmosphere.
Yeah the recycling and adapting of lyrics in the folk tradition gets passed on into rock and roll in the 50s. He was big fan of westerns (bo diddleys a gunslinger) so I guess in this one he's taking the typical bragging lyric and placing in that setting, with the 47 miles of barbwire and rattlesnakes.I read something about how these kinda bragging lyrics were quite common at the time and they would recycle all this stuff about wrestling alligators or whatever from appearance to appearance.